ALICE GRASSI
(Catania - IT, 1981)
vive e lavora in Italialives and works in Italy
Padrone di casa/Ospite - 2011
video HD 16:9, colore, 10’ - light box in plexiglass15x22,5x7
Host/Guest - 2011
16:9 HD video, color, 10’ - plexiglass layer light boxes15x22,5x7
Come sempre, la natura continua a lavorare alla sua opera. Tutto è al proprio posto.
L’uomo ne contempla il regno e si avvicina, cammina sulla linea di confine in cerca di
un contatto. La natura lo accoglie, avvolgendolo e respingendolo. Ogni cosa attende. Piano si allontana dall’ordine del tempo del giorno e della notte,
rimanendo sospesa. Straniero e fuori dal suo ambito, l’uomo si rivolge alla natura
ponendosi e ponendole domande e sforzandosi di tornare all’armonia e al dialogo.
courtesy l’artista e collezione privata
https://www.instagram.com/alice.grassi.art/
︎
Nature always keeps on working on its oeuvre. Everything is at the right place. The human observes the kingdom and comes closer, walks on the boundary line, trying to get in touch. Nature welcomes him, covering and refusing him. Everything is waiting. Slowly the human detaches her/himself from the order of time, days and nights. Like a foreigner out of his order, she/he turns to the nature, asking questions and trying to revert to harmony and the dialogue.
courtesy the artist and private collection
https://www.instagram.com/alice.grassi.art/
courtesy l’artista e collezione privata
https://www.instagram.com/alice.grassi.art/
︎
Nature always keeps on working on its oeuvre. Everything is at the right place. The human observes the kingdom and comes closer, walks on the boundary line, trying to get in touch. Nature welcomes him, covering and refusing him. Everything is waiting. Slowly the human detaches her/himself from the order of time, days and nights. Like a foreigner out of his order, she/he turns to the nature, asking questions and trying to revert to harmony and the dialogue.
courtesy the artist and private collection
https://www.instagram.com/alice.grassi.art/
...
MELANINA MECCANICA - 2004
dittico
fotografia analogica b/n, post produzione e stampa digitali, 1/1
80x180
MECHANICAL MELANIN - 2004
diptychb/w analogical photography, digital post production and print, 1/1
80x180
Due donne, o la stessa donna, due momenti, o il medesimo, schiacciate o liberate, pressate e infangate, assorbite assorte, mostrano con rabbie presunte incastonate debolezze. Sotto pellicole diverse si annidano umori opposti. “Memoria e identità, paesaggio e indagine sociale, globalizzazione e rituali arcaici, fanno da sfondo alle immagini…immagini forti, estreme nel contrasto, immagini di grandi dimensioni dove il ritocco digitale diventa sollecitazione, il cromatismo allarme, insomma immagini del nostro tempo”. (Carmelo Nicosia)
courtesy l’artista e collezione privata
https:/www.instagram.com/alice.grassi.art/
︎
Two women, or the same, two moments, or the same, crushed or freed, compressed and sullied, absorbed concentrated, angrily show supposed ingrained weaknesses. Underneath different layers, contrasting moods are lurking. “Memory and identity, the landscape and social inquiry, globalization and archaic rituals, provide the setting for the images…strong, sharply contrasting, oversized images, whose digital retouch becomes urgency, the chromaticism an alert, shortly said, contemporary images”. (Carmelo Nicosia)
courtesy the artist and private collection
https:/www.instagram.com/alice.grassi.art/
